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CW Bulletin

CW Bulletin is the e-newsletter supplement to CW magazine. Sent each month to all members, every issue of CW Bulletin presents articles, case studies and additional resources on timely topics in communication.

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The digital age of photography isn’t dawning, it’s already high noon. But if you’re still rubbing the sleep artifacts out of your eyes and feeling kinda pixilated, don’t have a histogram, you’re not alone.  

Up to Your Neck in High Tech?

There’s no doubt that there’s no turning back to film. In 2003, digital cameras outsold film cameras for the first time since their development. But there is a long road ahead before digital processes become simple and standardized. In the meantime, communicators are forced to work with a technology that is still in its infancy and growing so fast that it’s hard to keep up with the changes. Much like the pioneer car owners at the dawn of the automobile age, communicators today must know the mechanics of the digital process in order to make the most of its benefits. These are exciting times for photography, but not easy ones.

Is it worth it? You bet, and here’s just some of the reasons you might not know about:

Better Than Film
You say you want a resolution? Well, digital is now better, much better than film. Cameras with 5-6 megapixels can produce an image with greater resolution than a comparable 35mm film camera. And it’s only getting better.

Creatively Unleashed
Freedom from film means freedom to experiment endlessly with no penalty. If you don’t like the shot, no problem. Simply delete it and try something else.

Share the Moment
Digital images are like polaroids on steroids. By sharing a just-taken photo, I’ve made friends all over the world and opened doors to many shooting opportunities. The ability to review images on the spot has helped me gain access to locations that otherwise forbid outsider photography.

Around the World in 80 Seconds
E-mailing an image to the corporate offices back home from halfway around the world is ho-hum stuff for today’s digital photographer. E-mail works OK for one or two shots, but more often, we will upload the full day’s photos to a web page and e-mail the link to our client for review.

Ease on Down the Road
As a location photographer who spends most of the time on the road, size matters to me. A one gigabyte media card is about the size of a matchbook and can hold about 120 large format (RAW) images. I can carry the equivalent of 24 rolls of film in a media card holder that is smaller than a deck of cards! And I can carry weeks' worth of work safely backed up on a portable hard drive that is lightweight and fits easily into my purse.

Instant Gratification
Seeing results immediately is nothing short of miraculous and is a true timesaver. Knowing you’ve got the image perfect frees you to go on to the next shot. You don’t have to keep shooting to play it safe.

Better and Faster Yes, but Cheaper?
Most of the photo gear, hardware and software I work with on a daily basis didn’t even exist a year ago. Like corporate communicators, visual communicators struggle to keep up with technology. The latest digicams with ever-increasing pixel counts and new features are a necessity. Newly invented anti-vibration lenses are on my must-have list. Endless software updates and hardware in the form of faster computers, hard drives with bigger storage capacity and archival quality papers and printers all need upgrading on an increasingly frequent basis. And of course, a new specialized cable (never included) is required for everything you purchase, no matter what. Add the costs of books and tutorials, classes taught on CDs, workshops, seminars, consultants and training. Then add the huge investment in time needed to learn how to use all the hi-tech stuff and you begin to get a picture (pardon the pun) of what visual communicators are dealing with.

A survey of full-time working photographers was conducted by The American Society of Media Photographers (ASMP), the leading professional photographers association in North America. It showed that the savings we all thought would happen with the advent of digital capture just did not materialize. Anyone who says commercial digital photography is cheaper than film photography just doesn’t know what he or she is talking about.

The Times They Are A-Changin'
Some days, when I’m frantically searching for the one right cable out of the dozens tangled under my desk, or when I’m checking and packing the 41 separate pieces of electronic gear I must travel with, I get nostalgic for the old days when my big worry was that there was more film stored in my refrigerator than food.

As the digital pioneers, we have to expect a few arrows. But one day soon we will look back and shake our heads over problems like shutter lag and screen calibration. We’ll wonder how we survived back in the days when we didn’t have high-speed Internet access everywhere including cars and airplaneswireless of course. We’ll laugh about paying for LD dial-up charges, and we’ll wonder how we ever got along with less than a terabyte (equals a thousand gigabytes) of memory. I can’t wait!

 

 

Suzanne Salvo and her husband/partner Chris are co-owners of Salvo Photography, an international award-winning studio based in Houston, TX. Specializing in location shooting, assignments have taken them to nearly 50 countries. Typical projects include annual reports, ad campaigns and capabilities brochures. For information on their digital photography for corporate communication seminars, visit their web site at salvophoto.com.